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Billie Davies (born Billie Goegebeur, December 10, 1955, in Bruges) is an American female jazz drummer and composer best known for her avant garde and avant-garde jazz compositions since the mid-1990s, and her improvisational drumming techniques she has performed in Europe and in the United States. ==Early life== Billie Davies was born in Brugge, Belgium. Mostly growing up on the Belgian Coast, in Western Europe, at the North Sea, between Bruges, Knokke, Blankenberge and Zeebrugge, her grandfather, Maurice Clybouw (1912 Eernegem - 1984 Brugge), who immigrated with his parents to Paris, France when he was 8, in 1920, and moved back to Belgium, Bruges in 1943, was the first to introduce her to the drums when Billie was about three years old. She has had a love relationship with rhythm and drums ever since. Her mother, Simone Clybouw (Paris (Reuil-Malmaison 1934 - ), was her biggest influence on a personal and artistic level, and introduced her to Jazz and Classical music before Billie had made her first footstep. It was her mother who sent Billie to music school when she was 7, which did not work out very well as Billie started skipping classes, and who introduced her to live jazz and other music performances from when she was a toddler until she was a young teenager, and introduced her to the world of art, entertainers, painters, poets and professors, musicians and chefs. While Billie grew up with music from Louis Armstrong, Billie Holiday, Mahalia Jackson, Nina Simone, Edith Piaf, Frank Sinatra, Django Reinhardt, Ella Fitzgerald, Toots Thielemans, Joe Pass, Oscar Peterson, Benny Goodman, Glenn Miller, Mozart, Ravel, Paganini, Vivaldi and Chopin, in her ears, at age 11 Billie began singing with school choirs and church choirs. At age 12, Billie’s first serious stage performance was with a Youth Opera in St-Kruis (Bruges), a rendition of Romeo and Juliet fashioned Billie as Romeo due to her exceptional vocal range and sense of music and theatre. As she continued to develop her love of the arts some of the highlights were, at age 14, her first performance as a drummer playing John Lennon’s “Power to the People” on plastic buckets, and aluminum lids in front of a crowd of about 100 kids at the beach in De Panne where she also sang a duet "Who'll Stop the Rain" by John Foggerty. At age 17, at the Royal Concert Building of Bruges, Koninklijke Stadsschouwburg Brugge, she directed and choreographed a group of 5 performers and co-performed in Sunshiny Days, which was inspired by writer Johnny Nash’s song "I Can See Clearly Now" and the music of Gladys Knight and the Pips. The audience demanded an encore. With DJing becoming such a huge part of our culture by the time she reached 18, Billie had started presenting professionally in the entertainment industry in Bruges where she specifically remembers the "Saaihalle", which now seems to be The Frietmuseum, where she enjoyed her first DJ adventures, "Le Carrousel", that since has transformed into a hotel, where she worked as a bartender/DJ from around 5pm to 2am and mostly entertained the Opera crowd, singers, directors, artists and Opera employees, and her absolute favorite, the hottest small jazz club in town in 1976-77, "Het Patriciershof" on the Jan Van Eyck Square, Jan van Eyckplein, where she worked from around 2-2:30 am to 8 am and where René, one of the owners and an old jazz friend of her mother, introduced her to the jazz of Thelonious Monk, Charlie Parker, Miles Davies, John Coltrane, Charles Mingus, Lester Bowie, Cecil Taylor, Archie Shepp and even more at the time considered obscure jazz musicians, and where she became a bartender and Dj, and entertained the Jazz crowd of Bruges deep nightlife that usually consisted of entertainers, musicians, painters, writers, chefs, hair stylists, fashion designers, models, gamblers and lots of whisky drinkers which were served "under the table" due to the existing prohibition of no alcohol to be served in public. All these experiences further enriched her love of rhythms and beats, of music, of jazz, cementing her desire to pursue drumming and fulfilling her need to entertain. As an early adult at 21, Billie became a solo singer for 1 year with the Royal Army Choir of Belgium. The high point of that adventure was singing at the Antwerp Opera with a complete symphonic orchestra. A year later, her voice underwent a dramatic change and she never felt comfortable singing again. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Billie Davies」の詳細全文を読む スポンサード リンク
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